Beyond Objecthood: The Exhibition as a Critical Form since 1968

MIT Press, 2016; 288 pages

“Jane Friedman is an excellent copyeditor, and I always enjoy working with her. She devotes careful attention to each project, providing thoughtful suggestions and queries and sensitively polishing the prose. Authors appreciate her work, as do I. She is lovely to work with, and she has improved each manuscript she has handled.”

KATE ZANZUCCHI, MANAGING EDITOR, ART BOOKS, YALE UNIVERSITY PRESS

“Since 2012, I have had the privilege of working with Jane Friedman on several Princeton University Art Museum publications. Jane has joined our project teams as developmental editor, copy editor, proofreader, and indexer—sometimes as all of the above on the same project. In every case, her work has been exceptional.”

JANET S. RAUSCHER, ASSOCIATE EDITOR AND INTERPRETIVE MANAGER, PRINCETON UNIVERSITY ART MUSEUM

“Jane draws on her deep experience with art history (and its attendant disciplines) to assist authors in crafting, supporting, and cogently expressing their arguments; as a proofreader, her awareness of continuity and cross-references has improved our projects immeasurably; and as an indexer she has shaped my own understanding of the role that this tool can play. I have no idea how Jane manages to be both so efficient and so meticulous in her work, but I am grateful to and for her. She has my highest recommendation and deepest gratitude.”

JANET S. RAUSCHER, ASSOCIATE EDITOR AND INTERPRETIVE MANAGER, PRINCETON UNIVERSITY ART MUSEUM

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